Overview

The Enigma that is Giza Egypt

Why do references to the Giza pyramids in a serious work of exposition and argument automatically diminish the work’s value or esteem in the eyes of most scientific or academic researchers even before they have read it? Is this prejudice justified?

Given the natural preoccupation with the pyramids of Giza over the centuries, world culture has inadvertently inured many “serious” researchers to the topic by attaching copious unwarranted, specious claims of the fantastic to these forms. From this perspective, the quick dismissal of any Giza pyramid reference as not worthy of being taken seriously and tainting overall content is perhaps understandable with the large volume of such questionable material generated over the years.

However, one could argue that in spite of the many fringe ideas that have been associated with the Giza pyramids, there is an undeniable undercurrent in humanity of intense curiosity about these monuments that transcends the abundance of bad associations. The extremely large size of the pyramids of Giza coupled with their former innate precision of finish would seem to indicate that some sort of important message is being conveyed to mankind at large. The odd and stark yet beautiful simplicity of the shapes of the pyramids at such a gigantic scale adds greatly to the enigma that is Giza. Why would any culture undertake such an immense building project unless extreme meaning and wisdom is somehow embedded in it? The short answer is they would not, and that message has yet to be understood in our time…

Seeing Past the Veil of Ages and Current Misunderstanding

The Giza Pyramids are all about geometry and a physical model of the universe that at the same time incorporates important existential, philosophical constructs. The identity of the culture responsible for them is less important than the message being conveyed. It is interesting to note however, that water erosion dating of the Sphinx puts its origins thousands of years prior to the earliest Egyptians to whom present day archaeology gives credit for pyramid construction. In summary, these monuments are among the most ancient building projects on earth which makes their meaning even more intriguing...

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At a very high overview level, The Turning Point has discovered that the Giza Pyramids likely represent varying degrees of deformation of a pyramid found nested as a part of hypercube native geometry.

Because in Nonspecific Geometry an infinite distance separates any two nonspecific points, the application of a hypercube tessellation was found to be necessary and suitable so that information can travel through the proposed, noncontinuous, "digital," multidimensional space of current experience. See figures below. (Reference papers under the Stepping Stones tab for complete description.)

The hypercube is a logical carrier of digital/ noncontinuous space given its ability to represent expanded dimensional realms thought to be extant in our observable universe. Thus, it is used in a tiling of 3D space to define the projected, digital universe of experience.

Hypercube With One Subdomain Showing

All vibrational information and spatial deformation is conveyed in the zone of uncertainty, Omega, a construction of Nonspecific Geometry realized by the existence of unextended dimensions. Extended dimensions are those of everyday experience while unextended dimensions exist exclusively in a domain of uncertainty that surrounds geometric forms. See two figures immediately below. Also, the existence of a continuous or analog, source universe is implied by Nonspecific Geometric considerations so that continuity is preserved in the noncontinuous, digital realm of everyday experience. (Reference papers under the Stepping Stones tab for complete description.)

Note: the red subdomain shown in hypercube image does not show in the hypercube tessellation above. This is because in this representation there are an infinite number of hypercube subdomains possible, and this fact drives the shorthand depiction of a hypercube with no subdomains shown.

Figure Credit: Drew Olbrich

Geometric Uncertainty

Hypercube Multidimensionality

The Interrelationship of the Giza Pyramids to Each Other: The Definition of the Transcendental Pyramid - A Volumetric Zone of Uncertainty

In the diagram above, one can see how the pyramids of Giza are related to each other. They all nest inside the pyramid of interest (the Transcendental Pyramid) to within 6 inches of the best physical measurements available. When viewed (paired) in this manner Khufu, Khafre, and Menkaure show diagrammatic states of the Transcendental Pyramid's zone of uncertainty. Khufu is the maximum deformation state of the Transcendental Pyramid's zone of uncertainty. Khafre is a medium deflection in the Transcendental Pyramid's zone of uncertainty. Since this is hypercube derived geometry, Menkaure can be seen to reflect or represent a new pyramidal domain whose base is defined as being located at half the height of the original “pyramid of interest” during maximum deformation (Khufu). (Reference papers under the Stepping Stones tab for complete description.)

PowerPoint shows diagrammatic deformation of Transcendental Pyramid in zone of uncertainty. The Giza pyramids Khufu, Khafre, and Menkaure result.

Note: Download PowerPoint file and choose Slide Show tab. Then select "From the Beginning Tab" to start program. The file will execute in a few seconds.

Pyramid Entities Separated for Clarity

Transcendental Pyramid

(Right Pyramid of Interest)

Khufu

Khafre

Menkaure

Transcendental Pyramid Dynamics

As this Transcendental Pyramid rotates about the center of the hypercube by its apex (The Turning Point), vibratory information from the traced sphere's zone of uncertainty (representative of analog/source space) is transmitted to the hypercube via Transcendental Pyramid deformation or vibration in its zone of uncertainty. Thus, the Transcendental Pyramid and its various basic vibrational modes depicted in stone at Giza allow an analog/source/base universe to communicate with our digital universe of common experience. The two realms are tied together by Transcendental Pyramid geometry deformation. See figures below. (Reference papers under the Stepping Stones tab for complete description.)

Transcendental Pyramid Sweep Defined Figure 1

Transcendental Pyramid Sweep Defined Figure 2

Basic vibratory mode of circle can be read by Transcendental Pyramid base via Rotation 1 and Rotation 2.

Transcendental Pyramid Information Transfer to Hypercube Figure 1

Transcendental Pyramid Information Transfer to Hypercube Figure 2

Obviously then, the pyramids of Giza represent in this geometrical model of the universe the "transcendental" element that allows a dual cosmos to be connected... This is the lesson of Giza.

Two Bits of a Dual Cosmos in Action

Note that the usage of the word "Dual" in this instance represents a descriptive architecture or scheme of the universe. Because the digital realm of material experience is projected from an analog source or an ultimate ground, then in traditional philosophical terms this is a "Non Dual" concept - all information originates from one ultimate source. (Two manifestions of information are linked by a third coexisting space making a tertiary process of informational dynamics.)